Why I Tweet & Why You Should Too

hOW TO bUILD yOUR hISTORIAN'S pLATFORMDo you use Twitter? Would you like to know more about how you can use Twitter to build your historian’s platform?

This post is the first in a 3-part series on how I use Twitter and how you can use it to build your historian’s platform. In this post, I will reveal why I love Twitter and why I use it.

The second post will discuss Twitter strategies you can use to draw attention to history and your research. The series will conclude with tactics for tweeting conference panels.

 

Why I Tweet

Twitter is my social media network of choice. I dabble on Facebook, Google+, LinkedIn, and Goodreads, but Twitter is where I prefer to spend my time on social media.

I love Twitter for three reasons:

 

1. Conversations and Networking

Twitter serves as my virtual watercooler. I am an unaffiliated scholar who often works from home or in cafes and libraries. This work-life offers great flexibility, but it can often be lonely. Twitter helps me cut the loneliness by allowing me to interact with colleagues when I want and need to.

John Quincy Adams TwitterWhen I need a break from my work, I visit Twitter to see who else is hanging out online. I often start with the people on my friends and family feed, but I also check in with my favorite hashtags to see if anyone is talking about topics that interest me. You can find all sorts of different conversations if you know which hashtags to follow.

Note on Hashtags: Hashtags are the words with # in front of them. They let users know that a tweet is part of a larger conversation by defining either the audience or topic the tweet addresses. For example, #Twitterstorians is a tweet for historians on twitter. #RedSox lets fellow fans know you want to talk about the team.

 

Chatting on Twitter has helped me expand and maintain my social and professional networks. I have met many fantastic colleagues on Twitter by sharing information about history, asking questions, and by answering the questions of others.

Drawing of a bird holding a hashtag for social media tagI frequently meet fellow historians on Twitter before I meet them in person. Our virtual relationship gives us an advantage. When we meet in person at a conference, or during a research trip, we often fall into an easy conversation because we already know what we like to talk about. Moreover, since we already know each other we are keen to introduce each other to our friends, which expands both of our professional and social networks.

Twitter Tip: If you would like to meet other historians on Twitter checkout the hashtags #Twitterstorians, #Historians, and #PublicHistory.

 

2. News Source

Twitter provides me with a quick and easy way to check the news. Between the news sources and people I follow, I almost always know when something big, tragic, or important has happened. The people I follow almost always share links to interesting history, news, and sports articles too.

 

3. Digital Public History

Twitter not only connects historians with colleagues, it also connects people who love history with history and historians.

networkingTwitter allows users to share information quickly and unlike Facebook and other platforms that use algorithms to curate feeds, anyone who follows you or the hashtags you use will see the information you share.

Historians can, and do, use Twitter to increase awareness about history-related exhibits, tours, books, events, blog posts, conferences, and news. Sharing and promoting this information helps non-historians stay up-to-date with history-related news. It also helps them feel more comfortable about asking historians questions about history, what historic sites they should visit, and what history books they should read. This type of tweeting and interaction qualifies as public history.

 

Conclusion

Twitter allows historians to connect with colleagues, get news, and practice digital public history. This is why I love it.

In my next post, I will reveal strategies you can use to better enjoy Twitter and for how you can use it to build your historian’s platform.

 

Commemorating the Stamp Act Sestercentennial

1765_one_penny_stampThe sestercentennial (250th anniversary) of the first Boston Stamp Act riot took place on August 14, 2015.  I commemorated the event by releasing a bonus episode of Ben Franklin's World about the Stamp Act and the Boston riots and by hosting the first ever Ben Franklin's World Listener Meet-up. The meet-up consisted of a two-hour walking tour of Boston that focused on the Stamp Act riots and the role Boston played in the American Revolution.

I wrote the tour and offered it through Boston By Foot, an organization of volunteers who lead history and architecture walking tours of Boston.

Thirty-eight people took the tour, about twenty people heard about it through the podcast.

Stamp Act Tour CollageThe tour began in front of the Massachusetts State House and from there stopped by the Granary Burying Ground (we had to stop and say "hello" to John Hancock, Samuel Adams, James Otis, Paul Revere, and Robert Treat Paine), King's ChapelOld South Meeting House, the building that marks the birthplace of Benjamin Franklin, the Old State House and Boston Massacre Site, Faneuil Hall, the Blackstone Block (the only street in Boston that resembles a colonial Boston street), Paul Revere House, the Thomas Hutchinson house site, Old North Church, and Copp's Hill Burying Ground (where we looked at and discussed Bunker Hill).

We had hot, muggy weather, but we enjoyed the day. After the tour six of us repaired to a pizzeria in the North End and had lunch.

Most of the listeners who came for the meet-up hailed from New England or New York. One listener dove up from Baltimore and used the meet-up as an excuse to visit Boston, the We Are One exhibit at the Boston Public Library, Boston's Haymarket, and Longfellow's Wayside Inn in Sudbury, Massachusetts--all locations I have featured on Ben Franklin's World.

Ben Franklin's World Listener Meet-up

One of the most rewarding experiences of podcasting has been connecting with history lovers like the ones who came on my tour. This past spring and summer I have received tweets and e-mails from listeners telling me that they have visited the Library Company of Philadelphia, Schoharie Crossing State Historic Site, the Wayside Inn, and Boston as a result of hearing about these places on Ben Franklin's World. My listeners are also buying books and attending lectures given by guest historians.

Ben Franklin's Birthplace

Combining history and new media technology like podcasts, blogs, Twitter, and Facebook work. They help historians reach new audiences and help new audiences connect with us and our work.

Share Your Story

What are you doing that is helping you connect new audiences to your historical work?

 

Edupreneur or Institutional Historian? Questions Raised by SHEAR & Podcast Movement

Edupreneur or Institutional Historian-This past weekend, I attended Podcast Movement, the world’s largest podcast conference. In this post, I reveal the ideas Podcast Movement 2015 gave me and helped me to articulate, including the idea of whether I want to be an edupreneur or an institutional historian.

 

Culture Shock

Podcast Movement marked my first non-academic conference and it left me with a feeling of culture shock for two reasons: First, the conference took place in Fort Worth, Texas.

Second, I attended the conference as an historian in a world that appears dominated by marketers.

 

A New England Yankee in Fort Worth, Texas

My trip to Podcast Movement marked my first visit to the Dallas/Fort Worth area. I have visited Houston twice and find it to be a cosmopolitan city that sprawls like no other city I have ever visited (even Los Angeles). Although I have enjoyed my visits to Houston, I will admit that I left disappointed that it didn’t feel like the Texas I had imagined.

I am disappointed no longer.

Scenes from Podcast Movement

Not long after I deplaned in Fort Worth, I asked for directions to the shared van stand. The man who assisted me called me “darlin’” and pointed the way. I had expected a slightly southern accent, but the term caught me off guard. I couldn’t help but think that my helpful guide was being a bit fresh.

It turns out, he wasn’t being brazen. When I reached the shared van stand the male attendant also used “darlin’” to address me. In Texas, “darlin” is used in place of “ma’am.”

Other cultural experiences included country music (not the pop kind), cowboy boots (Texans really wear them), choices regarding the pork and beef you put in your Tex-Mex tacos (choices?), and a few other linguistic variations.

My visit to Fort Worth reminded me why I love, and am so fascinated by, the United States. The U.S. stands as a huge country, with many regional identities, and yet every citizen who lives within its borders proclaims to be “an American.” We portray ourselves as one people and yet Americans in Fort Worth, Texas are different from Americans in Boston, Massachusetts.

 

An Historian Attends a Non-Academic Conference

What happens when you attend a non-academic conference? You get a hefty conference badge and a swag bag!

Podcast Movement Swag Bag Contents

Inside my swag bag I found a glossy, color program, ads for corporate sponsors, a book, sunglasses, and a portable power stick to charge my smartphone or tablet.

Aside from the swag bag, I experienced business card overload.

A friend told me that I should bring at least 100 business cards to the conference and develop a system for dealing with the business cards I received. I laughed at these suggestions.

Earlier this month I attended SHEAR. I handed out more business cards at SHEAR than I have ever handed out at one conference; I probably gave out between 15-20. At SHEAR and other academic conferences I follow the tried and true etiquette of giving a card only when asked or when I want someone to remember me after a conversation.

At Podcast Movement, attendees handed out business cards to everyone they saw, regardless of whether they engaged you in conversation.

I must have given out between 75 and 80 business cards and between 100-200 Ben Franklin’s World bookmarks. I think I came home with more than 100 business cards.

Finally, I have never been to a conference where so many of speakers presented without being aware of the composition of their audience.

Podcast Movement attracted an audience of hobbyists, business owners, marketers, and public radio professionals. I enjoyed many conference sessions and panel discussions, but the public radio professionals spoke to everyone as if their audience worked in public radio and had NPR’s budget. As small as NPR’s budget may be, it is much bigger than that of an indy podcaster.

Additionally, many of the presenters at “How-To Monetize Your Podcast” sessions spent more time selling themselves than they did conveying useful information about how a podcaster could court advertisers or develop salable products. They were marketers, not educators.

When you attend a history conference, nearly every presenter knows their audience. I found the change of pace at this quasi-business conference a bit jarring at times.

 

Standing at a Crossroads

As different as Podcast Movement was from the academic conferences I normally attend, I had a really good time. I met many amazing podcasters and made several new friends. I heard fantastic talks given by Roman Mars (I met him too!), Marc Maron, and Sarah Koenig. I also came home with several ideas about how I can tweak Ben Franklin’s World and grow its audience.

I plan to start with developing an app and by seeking crowdfunding.

Ben-Franklin-at-a-CrossroadsAttending both SHEAR and Podcast Movement also helped me articulate that I feel like I am standing at a crossroads with Ben Franklin’s World.

The podcast started as an experiment. Now that it has and continues to succeed, I need to decide whether I am an “edupreneur” starting a history-based business or whether I am a podcaster looking for an institutional job.

If I am honest with myself, I want to be the latter.

I am an historian and educator. I know little about starting a business and the thought of "monetizing" history makes me uneasy.

At SHEAR some of my colleagues seemed surprised I wasn’t on the job market. They told me I have an impressive work portfolio. I appreciate their recognition, but no institutions place job ads for the type of work I do so I have stopped looking.

Creating public digital history projects is important work, it is the type of work that will return history to the forefront of the public mind, which will in turn help us get funding and increase our enrollment rates.

But public digital history projects do not contribute to our culture’s corporate model of university education. Nor is it the type of work that earns tenure or garners an alternative academic position. I am a digital historian, but I don’t work on databases that lead to a better understanding of historic sources.

Macro shot of a new 100 dollar billThere is also the not-so-insignificant price tag that comes with creating and operating a public digital history project. Technology allows us to convey history in incredible and meaningful ways to large public audiences. But technology isn’t always free.

Ben Franklin’s World costs approximately $90 per episode to produce (sometimes more) and this cost does not include my time.

If I fulfill my goal of completely outsourcing my audio editing, each episode will cost $165, again not including my time. This cost is far less than NPR spends on each of its podcast and radio episodes, but it still means that a project such as mine requires a minimum operating budget of $360-$450 per month to keep it going.

Ideally, I would have a budget of $660-$825 per month so I can create more time for my scholarship.

In a perfect world, my monthly budget would be closer to $1,000 per month so I could hire graduate students to find and attach primary source documents, and suggestions for how educators can use them in their classrooms, to each episode.

I am not sure an institutional digital history job is in my future.

 

Conclusion

I suppose in the end I will be an edupreneur who holds hope that some day there will be institutional jobs for historians like me. Then we can help institutions build new projects and train others who want to engage in public digital history.

Vector internet marketing conceptUntil that day comes, I will persist in my work. I keep going because I believe that the historical profession has to take history to the public. We need to help our fellow citizens remember why the past and what we do is important. I believe that technology and new media can help us bring history back into the forefront of the public mind.

I am not sure how long the podcast will continue, but I do know that I want to build a career that includes both traditional archival research and writing and experimentation with public digital history projects. I am not alone in this desire. However, ours is a tricky road.

When we bootstrap and succeed in our work the beancounters at institutions will at some point take note. I think they will appreciate our work, but they will question why they should hire us. We are, after all, doing this important and beneficial work for free. This thought has me staring down the road of edupreneur.

 

Ben Franklin's World on Spotify

Ben-Franklins-World-Spotify This past weekend I attend Podcast Movement, the world's largest podcast conference, in Fort Worth, Texas. During the conference, my audio host Libsyn informed me that Ben Franklin's World had been hand selected by Spotify for its podcast beta test.

Spotify has over 75 million active users. Ben Franklin's World: A Podcast About Early American History now has access to those users.

Since podcasts through Spotify is in beta, you will have to search for "Ben Franklin" in your desktop or mobile app to locate and listen to the podcast.

I am really excited about this news. It is further proof that people enjoy history: Spotify accepted only a small percentage of podcasts for its beta test.

 

Share StoryShare Your Story

Do you listen to podcasts?

If so, which app do you use to listen to them?

If not, why don't you listen to podcasts?

 

Conference Note Taking: Is there a Goldilocks Method?

Boogie Board SHEAR Promoted Post

What tools do you use to take notes at conferences?

You may recall that I am a huge fan of Boogie Board Sync, an eWriter that has the tactile feel of pen and paper and saves directly to Evernote. Over the last month, I have taken my Boogie Board to two conferences with the hope that I had stumbled upon the perfect conference note taking tool.

In this post, I share my experiences using my Boogie Board Sync at professional conferences and why I think the eWriter is an extremely useful tool for historians.

 

The Search for the Perfect Conference Note Taking Surface

Legal Pads

Have you ever gone to a conference and tried to take notes on a legal pad?

Legal pads and pens served as my first conference note taking tools. They seemed like the perfect choice: dark ink and a paper pad that doubled as a sturdy writing surface. However, by the end of my first conference these note taking implements had let me down.

Legal pads involve noisy page turns. Its writing surface becomes flimsy the closer you get to the end of the pad.

Frustrated, I took a [simpleazon-link asin="8883701127" locale="us"]Moleskine classic notebook[/simpleazon-link] to my second conference.

Sturdy Notebooks

800px-Moleskine_-_03Moleskine notebooks provide a sturdier writing surface than a legal pad, but they can be difficult to keep flat as you write.

Every time I approached the middle of the notebook the binding caved in and changed the angle of my writing surface. As a person who maintains their focus and processes information best when writing, I take a lot of notes and I take them fast. The frequent change in writing angle annoyed me as it slowed my ability to jot down notes quickly.

Despite this flaw, and the fact that I had to replace my notebook every fourth conference, I continued to take notes in a Moleskine until two or three years ago, when it became socially acceptable to use laptops at conferences.

 

Laptops

Taking notes with my laptop has made my life easier. As I type faster than I hand write notes, my laptop allows me to capture more information. It also has the advantage of providing me with a sturdy writing surface with endless amounts of virtual paper.

Taking notes with my laptop has also ensured that I remember and find my notes when I need them.

I type my notes into Evernote, my digital filing cabinet. Every time I perform a keyword search, Evernote pulls up relevant information that I have stored in the app. This information includes notes I have taken at conferences.

With that said, recording notes on my laptop has not been a perfect solution. Although my Macbook Air has a quiet keyboard, those who sit next to me hear the soft clicking of keyboard keys as I type.

Additionally, I have short arms. I often place my backpack on my lap and prop my laptop on top of my backpack in order to type comfortably. This tower of stuff provides a comfortable typing angle, but often means a slight shift in leg position can turn my writing surface into a wobbly mess.

 

Boogie Board Sync

Boogie Board on Lap

In June and July, I tried taking conference notes on my Boogie Board Sync.

Like my laptop, my Boogie Board never runs out of paper and it can save my notes directly to Evernote. Unlike my laptop there is no audible clicking of the keys and the writing surface is wide enough that I can comfortably take notes with the surface resting on my lap or knee should I cross my legs.

However, like my other note-taking tools, Boogie Board has its drawbacks. First, you may mark the writing surface if you wear a watch or bracelet below your writing hand. The marks will erase when you press the “erase” button, but sometimes the marks can interfere with the clarity of your notes when you sync them to Evernote.

Second, Boogie Board does not assist with tweeting.

When I type notes into my laptop that seem tweetable, I cut and paste the information into my Twitter app and tweet them.

When I take tweetable notes on my Boogie Board, I have to snap the stylus back into the Boogie Board, pull out my smartphone, and type the information I want to tweet into my Twitter app.

The extra steps that tweeting from Boogie Board requires means I might miss important information if I live tweet a panel. Therefore, when I take notes with my Boogie Board, I often wait until a break in the Q & A, or until after the panel, to tweet.

Boogie Board Writing

Conclusion

Until I find a “Goldilocks” note taking tool, I will alternate between my laptop and [simpleazon-link asin="B00E8CIGCA" locale="us"]Boogie Board[/simpleazon-link].

I will use my laptop when I want to live tweet a panel. I will use my Boogie Board when a room lacks WiFi, good cell signal, or I want to attend a panel without tweeting.

I will also carry my Boogie Board to every conference I attend, even if I plan on using my laptop. Boogie Board's long battery life ensures that if my laptop runs out of power, I won’t be without a great note taking device.

 

Share Your Story

What is your preferred conference note taking method?